Our Free Background Music series continues with the 35th song—Broken
Music Download Links
- MP3 file 320 kbps, 48 khz (Box)
- MP3 file 320 kbps, 48 khz (OneDrive)
- WAV file (Box)
- WAV file (OneDrive)
- WAV file (Google Drive)
If you are having downloading problems with the Box.com files, please refer to this page for possible solutions: Downloading Problems (Free Background Music Series).
For this video, Lee Chan, a dance and yoga teacher based in Hong Kong, choreographed and performed the ballet. In this dance, Lee emphasizes her en pointe techniques. You can see her dance in a more contemporary style in our video for the song The Hidden Path (youtu.be/U23s1qFcNbU)
Kate Kwok, a Form 6 (Grade 12) student in Hong Kong provided the piano arrangement and played the piano. Coincidentally, she is also a ballet dancer. You can see some of her piano arrangements and covers in these videos:
- I Vow to Thee, My Country (Kate’s original arrangement of Mahler’s song): https://youtu.be/ac2IiRNEr14
- Feast of Starlight (Kate’s original arrangement of Howard Shore’s song from the soundtrack of The Hobbit: The Desolation of Smaug: youtu.be/Xuy-h2P9IHI
- Breathe (Kate’s cover of the Taylor Swift song): youtu.be/ehT6ZgKWstA
The composition is by myself (longzijun). I also shot and edited the video and did the audio recording. We recorded the song using a Yamaha Clavinova at our school’s Creative Media Studio (cmestudio.wordpress.com), an education project I set up a few years ago.
About the Song
The mood of the piece is rather melancholy. The song is influenced by classical minuets and has the ABA structure and 3/4 time signature associated with that form. However, the arrangement is rather sparse and minimalist in style, giving the song a more contemporary feel.
This song is about the end of a friendship. Sometimes friendships simply fade away, but sometimes they quickly disintegrate, leaving at least one person one hurt and bewildered. This song is about the second kind of ending and was written after a friendship suddenly fell apart.
At first, I had hoped to find a smoother way to link the two different sections, but later on I accepted that perhaps the music didn’t have to feel so unified. After all, when I was originally composing the song a couple of years ago, my different emotions—sadness, regret, bitterness—were all jammed together. That is why I left the song as it was—as a kind of record of my emotions.