This video features the 25th song in the Free Short Instrumental Themes series: Sonicide. The visuals are a time-lapse showing Osaka. There are four different versions of the song, ranging in duration from 20 seconds to 36 seconds. This track is based on an excerpt from the middle part of Sonicidence (Song no. 27 in the free background music series).Read More »
Kyoto, Japan is one of the most photogenic cities I’ve visited. As the former capital city of Imperial Japan, it has a rich history; and with mountain ranges on three sides and a river bisecting the city from North to South, the scenery is also attractive. These are photos I took on two trips to the city. Altogether there are 394 photos, so I have divided them into a series of albums.
Album 1: All Photos
If you want to see everything!
View Album: Kyoto; All Photos (394 photos)Read More »
This video features the 17th to 24th songs in the Free Short Instrumental Themes series. The songs in the video range in length from 6.5 seconds to 34 seconds and are suitable for use in intros, credits, outros and very short videos. These tracks are mostly synthesizer-based compositions. For each song. two versions are available. For most of the songs, the second version is a little faster and is one semi-tone higher. The tracks are listed below:
- Intro 17 (synth & beat) 0:34 & 0:32
- Intro 18 (gentle & melodic) 0:10 & 0:09
- Intro 19 (bubbly synth) 0:07.5 & 0:07
- Intro 20 (aggressive: piano, guitar, war drums) 0:13 & 0:12
- Intro 21a (perky synth & percussion) 0:08
- Intro 21b (perky synth) 0:08
- Intro 22 (techno attack) 0:09 & 0:08
- Intro 23 (evolving sounds) 0:20 & 0:18
- Intro 24 (synth & drums) 0:17 & 0:16
1. The Music
This video features the 41st song in the Free Background Music Series and is the second video in my Travel Diary series. As with the other songs in the background music series, this song can be used for free in non-commercial projects and in YouTube monetized videos (that are otherwise non-commercial in nature) as long as credit is provided (“Music by longzijun”).Read More »
This is a travel video about a short trip to Tokyo during the summer of 2018. My daughter and I spent three days there before continuing on to Canada. As we live in the region and visit Japan relatively frequently, we didn’t feel the need to visit any of the city’s must-see attractions. Instead, we focused on some of the lesser known tourist spots. Unfortunately, during the three days we there, Tokyo was experience a record-setting heat wave, so we didn’t do as much as we would have liked. The photo gallery for this trip is here: Tokyo Trip: Google Photos
Located in Sagami Bay near the town of Kamakura, this beach is about an hour by train from central Tokyo. It is not a spectacularly beautiful beach, but you can rent surfboards there and get away from the city for while. The small green train pictured in the video is the local Eno-den line. While we there we had brunch at bills, a cafe near the Shichirigahama train station. The cafe is know for its fluffy pancakes. The restaurant has a nice sea view, but between the restaurant and the beach is a busy highway, so it is not especially tranquil. When we arrived at the beach, the weather was hazy, but by the time we finished eating the skies had cleared. The beach is much more picturesque with blue skies, so do check the weather forecast before heading out.
A few train stops away is Kamakurakōkōmae station.The crossing by the station is the setting for the final scene of the Slam Dunk anime, so it is a popular Instagram spot.
teamLab Planets Tokyo
This was one the highlights of the trip. TeamLab is a collective of artists, musicians, computer programmers and engineers who specialize in creating immersive and interactive light and sound shows. They now have a permanent museum in Tokyo, teamlab Borderless (borderless.teamlab.art), but we went to their recent exhibition at Toyosu: teamLab Planets (planets.teamlab.art/tokyo). Both exhibitions require advance booking. I have a longer video and more detailed description of teamLab Planets show on my art blog: teamLab: Planets Tokyo.
I couple of years ago, I came across another of their installations in Kyoto. I have a photo gallery and article about that here: Kyoto: Light Festival at Tadasu no Mori and Shimogamo Jinja
The teamLab group does a great job of getting visitors through their exhibits while still allowing everyone plenty of time to enjoy the different environments.
This is a like a cat cafe minus the cafe part. The Nekobukuro cat playground is located at the Tokyu Hands department store in Ikebukuro. We were at the story buying souvenirs when we noticed that the floor directory listed a cat playground, so we decided to check it out. I have uploaded a longer video here, so if you like cats you can check it out: Nekobukuro video on YouTube.
We went there on a Sunday as I had read that there would be a flea market and live music performances. I had been expecting a much more lively atmosphere, but the flea market was tiny and there were only a couple of street musicians in the large park. We visited one of the temples at the park—Shinobazunoike Bentendo—where we listened to Buddhist chants as my daughter bought a paper fortune (the prediction printed on the paper did come true a few months later).
Sumida Fireworks Festival and Sensō-ji in Asakusa
After leaving the park we went to Asakusa. My daughter wanted to get a photo in front of Kaminarimon Gate, the entrance to the Sensō-ji temple complex (and a well-known Instagram checkpoint). She was a bit tired out, so she stayed in a dessert shop overlooking the gate while I went people watching. Most cities and towns in Japan have a summer fireworks festival and this was the day of Tokyo’s main festival. During the fireworks (hanabi) festival (matsuri), quite a few people will get dressed in traditional Japanese robes known as yukata. It was interesting to see the different kinds of styles on display and to see which people could pull off the look best. As we were heading to the river to to view the fireworks, we decided to go to dinner instead, so we just caught a few brief glimpses of the fireworks display on the way to the train station. We did catch another fireworks display in Ottawa a couple of weeks later.
Tokyo Tower and Sentai Kosodate Jizo
Another Instagram checkpoint my daughter wanted visit was Tokyo Tower. That day the sky was overcast and there was light rain, so the views were less than ideal, On the way we stopped to see the small statues in Sentai Kosodate Jizo (Unborn Children Garden). The statues are dedicated to the protection of children in general, and more specifically to those that were stillborn or miscarried. The garden is part of a the Zoujou-ji temple. The statues are known as mizuko (‘water child’) and are decorated with read caps and bibs as well as windmills. They serve to give grieving parents a way to come to terms with their loss.
After visiting Tokyo Tower, We walked around the nearby neighborhood of Roppongi for a while. I had read that one of Louise Bourgeois’s giant spider statues was there and having already written an article about those on my art blog (Giant Spider Sculptures by Louise Bourgeois), I thought we should check it out. When we got there I realized I had walked right past it a half hour earlier. There was just so much going on—like a mini-exhibition of a dozen or so Doraemon statues—that one could be oblivious to a 30-foot metal spider.
We checked out three art galleries at Complex 665:
- Shugoarts, featuring an exhibition of super-soft landscapes by Naofumi Maruyama
- Taka Isshi Gallery, featuring the nature-inspired minimalist works of Yukinori Maeda
- Tomio Koyama Gallery (featuring digitally altered photos by Cambodian artist Khvay Samnang and portraits by Malaysian artist Shoosie Suilaman
Visiting galleries is a good alternative to going to a museum—you can get a little dose of culture without having to trek your way through a huge building. Before heading back, we did stop by to take a quick look at the National Art Center, which is a gorgeous building (if you have time and like art, do check it out). .
When I went pick up the airport express tickets at Nippori station, I thought I would see what was around the station. Nearby is the quiet neighborhood of Yamanaka, where there are several small temples. These are not included in the video as I just took photos. I visited Hongyoji temple and Kyooji temple. Behind the main building at Hongyoji is a kind of cemetery in which the death names of people are inscribed onto wooden posts known as sotoba.
You can read more about this district here: trulytokyo.com/yanaka-tokyo-most-traditional-district
As our hotel was in Shin-Otsuka, we often ate at restaurants one train station away in Ikebukuro.
My daughter chose the restaurants, so I should thank her for the delicious choices. The restaurants featured in the video are:
- bills Shichirigahama: Fluffy pancakes! I was originally going to let my daughter order those and I would get something like an omelette. However, the pancakes were irresistable.
- Red Rock Ikebukuro: This is a popular chain of restaurants specializing in beef. I have heard the restaurant usually has very long queues, but we went a bit later than normal and were in an relatively unfashionable neighborhood, so we could just walk in (after ordering at the vending machine outside).
- Jojoen Ueno Shinobazuguchi: Jojoen is a Yakiniku (barbecued meat) restaurant chain.
- Katsumidori: This sushi restaurant was in the Ikebukuro branch of the Seibu department store. A lot of the big department stores in Japan have a restaurant floor and the food is always of good quality (I think). This was the one restaurant we had to queue up for. We hadn’t had sushi yet and we were about to leave Japan, so we queued up before the lunchtime opening. We also had a meal at the Ikebukuro branch of the Parco department store—at the roast eel restaurant Hitsumabushi bincho.
- Ichiran Ramen Roppongi: This is a famous chain of restaurants that specialize in tonkatsu pork-bone soup (and by specialize I mean ‘only serve)’. It is an odd dining experience as you sit in a one person booth with a little curtain blocking your view of the kitchen. You pass the paper with your order on it under the curtain and your food comes back the same way. You can learn about the whole ordering and dining process here: thepetitewanderess.com/ichiran-ramen-tokyo
About the Video
The video footage was shot using a Fujifilm X100T camera, a Sony Nex-7 camera and an iPhone.
The background music is Chillvolution and is the 23rd song in my free background music series. Like other songs in this royalty-free music series, you can use it for free for non-commercial purposes (as well as in monetized YouTube videos that are otherwise non-commercial in nature). You can download the song at my website Chillvolution: New Song in Background Music Series).
The girl in the video, my daughter, is ‘Jadie Jade’ and she has her own lifestyle and travel channel (her videos are in Cantonese): www.youtube.com/channel/UC4UNGDKO0eFIgilfpv8qrwg
Whenever I visit Japan, I will stop by an record store and pick up some CDs. Here are some videos of the artists whose CDs I got on this trip:
Lucie, Too (cheerful indie rock)
Hitsujibungaku (dreamy indie pop, the band’s name means ‘sheep literature’)
Nulbarich (funky jazzy pop, like Jamiroquai):
Suchmos (funky jazzy pop, but with a bit of rock mixed in)
Return to Videos
Here are two videos of Freespace Happening music events in Hong Kong. These are mostly free events held on the second Sunday of each month from Autumn to Spring at the West Kowloon Cultural District in Hong Kong. The Freespace events typically include live music and dance performances a handicrafts markets and workshops. These two videos focus on the music performances. You can visit the Freespace Happening website here: www.westkowloon.hk/en/freespace
Several artists performed on the day, but the four artists featured in this video are
- Emmy the Great: She grew up in Hong Kong, established a music career in England and has recently returned to the territory, This was her first performance since returning to Hong Kong. (www.emmythegreat.com)
- Mocking Bullet: They are a local rock band. In Hong Kong, pop singers reign supreme, but there is also a well-established indie rock scene. (mockingbullet.bandcamp.com)
- Eugene Pao X Ted Lo: Eugene Pao (guitar) and Ted Lo (piano) are legends of the local jazz scene. Besides having their own group, they have performed with many of the world’s more renowned jazz musicians. (eugenepao.com)
- Gonne Choi (최고은): She is a South Korean singer-songwriter and was the headliner for this event. (iamgonne.com)
I shot the video and photos with a Fuji X100T and recorded the audio with a Roland R-05. I like the Fuji camera as it is small and has nice color tones. However, it is not a great camera for recording outdoor concerts as it is a fixed-lens camera (i.e., there is no zoom function.
- Noa Drezner Flamenco Quartet: Noa is a flamenco guitarist from Israel and Spain (www.noadrezner.com).
- Tommi Chan: Tomii is a local musician. He also played some lovely original compositions that I thought I had recorded, but it seems that I didn’t press the record button all the way down. You can check out his original work at tomiichan.bandcamp.com.
- The Smithsonian Jazz Masterworks Orchestra feat. Hubert Laws: This band is the orchestra-in-residence at the Smithsonian’s National Museum of American (americanhistory.si.edu/smithsonian-jazz/smithsonian-jazz-masterworks-orchestra). The ensemble is dedicated to promoting jazz, arguably one of America’s biggest contributions to world culture.
- The Hong Hong Ballet performing the Great Gatsby. (최고은. a South Korea singer-songwriter (www.hkballet.com).
I shot the video and photos with a Sony NEX-7 and recorded the audio with a Roland R-05. I like the Fuji camera as it is small and has nice color tones. However, it is not a great camera for recording outdoor concerts as it is a fixed-lens camera (i.e., there is no zoom function).
Photos and video by longzijun: Most of my video work has been on my free background music series, but I have also started shooting video more frequently while travelling or going out on the weekend.
To try to avoid copyright problems with the video, I have only included short excerpts of their songs, but do check out the artists to listen to more of their work.
Return to Video Making
In this video, I continue the Featured Guest series with this beautiful original piano instrumental by Kate Kwok. The song—entitled Tale of the Forgotten Forest Kingdom—is the 40th song in the Free Background Music Series. As with the other songs in this series, this song can be used for free in non-commercial projects and in YouTube monetized videos (that are otherwise non-commercial in nature) as long as credit is provided (“Music composed and performed by Kate Kwok”).Read More »
During the past few months a lot of YouTube channels are have been demonetized recently do to something YouTube calls ‘duplication’ or (more recently) reused content. The main message to be taken from YouTube’s monetization review process is that in order for your channel to enjoy the benefits of monetization (which is a privilege not a right), you need to:
- Respect the intellectual property of others.
- Follow YouTube’s Terms of Service (www.youtube.com/static?template=terms) and Community Guidelines (www.youtube.com/yt/about/policies/).
- Produce content that advertisers would like to be associated with.
- Upload videos in which you used enough of your own content that you deserve to earn money from it.
The issue of reused content (and duplication) is mainly related to this last point—whether you are creating enough content of your own.
1. Duplication or reused content not involving copyright issues, but involving third-party content
The important thing to note is all of these cases, you would have the right to use content commercially. However, that right does not mean that YouTube has the the obligation to assist you in making money from those videos by allowing them to be monetized. YouTube states:
In most cases, even if you have licenses to use the content or your videos are protected by copyright laws, such as fair use, if the main purpose of your channel is to monetize other channels’ or sources’ content, then you won’t be eligible for YPP. You still need to be contributing to the value of that content in some way. Note: some of these videos may still be fine to remain up on YouTube! (Partner Program Reviews and Removals (including Duplication))
Channels with the following characteristics may find it very difficult to have their channels approved for monetization:
1.1 Videos consisting solely or mainly of public domain work created by other people (e.g., public domain movie channels)
1.2 Uploads of copies (or minimally edited versions) of material previously published by other people under a Creative Commons license (this would apply to even the standard CC BY licence). For example, if you use a Creative Commons song from Incompetech (incompetech.com) or a song from YouTube’s music library (www.youtube.com/audiolibrary/music) as a small part of a video about something else, it would be no problem. However, if your videos were merely that same song and a still picture, that would be considered duplication
1.3 Videos over-reliant on things like stock photos and stock video (even though the channel owner may have licensed them for commercial use)
1.4 Compilations of viewer submissions or compilations of videos used with permission.
1.5 Music promotion channels (e.g., channels based on sourcing songs online, getting permission to use them and then using them to create videos, usually with a photo and/or music visualizer for the visuals.). However, there is a recent case of a large music promotion channel—alexrainbirdMusic—getting demonetized for reused content. They mobilized their subscribers to fight for their monetization privileges to be reinstated and were successful. YouTube switched their monetization back on without any explanation. Other channels have not been so fortunate.
YouTube has stated that using third party content can be OK, but the key thing is what you do with it—specifically, what value you are adding to it. For example, there is some value in searching for the funniest videos involving falls. However merely finding them and stitching them together into one video would not be ENOUGH added value. You would simply not be bringing enough of your own content to the table.
2. Duplication or reused content involving original content
The following may cause problems with monetization:
2.1 Different versions of the same video on the same channel (e.g., a ten-minute version and a twelve-minute version).
2.2 Many very similar videos on the same channel (e.g., Twenty slightly different videos of the same Finger Family song, a hundred videos of someone drinking water, etc.).
2.3 Videos that have been done to death already. A good example of that would be ‘learn color’ and ‘baby shark song’ animations. There are tens of thousands of these videos on YouTube already. They do get a lot of views, but children really need to learn more than what the videos are offering. Channels specializing in these kinds of videos are not getting monetized. Another problem affecting these kinds of animated kids videos is that they are targeting toddlers while YouTube (and its advertisers) are targeting people 13 and over.
2.4 Videos that are simply too basic (e.g., if your videos are basically just text on a still image, the channel is very unlikely to get monetization approved)
2.5 Videos generated automatically (e.g., using text-to-speech programmes to convert Wikipedia articles into the audio for a video or using a music visualizer to create the visuals).
3. Duplication and reused content involving copyright and trademark issues
These are more straightforward as the copyright issues mean the videos should not have been monetized in the first place as the uploader would not have the necessary commercial rights. In this list.
3.1 Channels that have received a lot of copyright claims (the one exemption would be for cover version channels in which the performers supply their own background music)
3.2 Uploads of obviously copyright-infringing content that has not been claimed, including videos that attempt to evade YouTube’s Content ID system (e.g., mirroring and videos so that copyright infringement is more difficult to detect)
3.2 Mashup videos, DJ mix and music remix videos
3.4 Compilations without commentary (or with only minimal commentary) of other people’s videos (even if those videos have not been claimed by the copyright owners)
3.5 Gameplay video without commentary. According to YouTube’s policy on Video game and software content, “Videos simply showing a user playing a video game or the use of software for extended periods of time may not be accepted for monetization.”
3.5 Reaction videos with minimal commentary
3.6 Narration of texts (e.g., stories, articles, news reports) written by other people (this would include an actual person narrating as well as the use of text-to-speech programs)
3.7 Live concert footage (and you are not the performer and/or do not own the copyright to the video)
3.8 Lyrics videos of other people’s songs (with or without the actual song in the video)
3.9 Fan-fiction or children’s videos featuring trademarked and/or copyrighted characters (e.g., Harry Potter, Thomas the Tank Engine).
3.11 Lyrics videos (of other people’s songs)
4. Possible other categories
Other channels have also reported having ‘duplication’ issues. These include:
4.1 Audio podcasts. The issue is likely that the videos are mainly to be listened to (not watched), so if ads were placed on the video, they would go unnoticed by most viewers. I have heard of many audio podcast channels encountering problems with monetization. I have heard on one such demonetized channel—Southern Cannibal—getting monetization returned.
4.2 Channels with a lot of very long ambient content (e.g., a ten-hour fireplace video, an hour-long audio tone). These have the problem mentioned in 4.2 (focusing too much on the audio). In addition, the visuals often have the problem mentioned in 1.3 (an over-reliance on stock assets).
4.3 Channels aimed at toddlers. YouTube is intended for people aged 13 and above and the advertisements would reflect this demographic. If you are aiming for a really young audience, your content and YouTube’s advertisers may simply not be compatible. For this one, it seems that if you are aiming to monetize a channel aimed at little kids, you would need highly original, varied, creative and professional-looking content.
4.4 Narration of public domain works (e.g., audio books). There are two main issues. One would be that the videos are mainly to be listened to (not watched), so if ads were placed on the video, they would go unnoticed by most viewers. The other issue would be related to point 1.4 (an over-reliance on public domain work).
There may very well be other kinds of channels affected. I will update the list if I notice any more kinds of channels reporting duplication issues. Let me know if you think any other kinds of channels should be added.
5. Issues related to Community Guidelines and advertiser-friendly content
YouTube appears to be using ‘reused content’ as a kind of blanket reason for denying monetization, so it is possible the ‘reused content’ notification your receive is entirely unrelated.
5.1 Community Guidelines violations. As mentioned at the beginning of the article, one of the purposes of the review is to check to see if the channel is complying with YouTube’s Terms of Service and Community Guidelines. If a channel is breaking any of YouTube’s many rules (there are a LOT of them ranging from putting tags in the description to requiring people to subscribe to your channel in order to enter a giveaway to showing people how to modify ammunition), that channel is unlikely to pass the monetization review process. I have a list of possible violations in my article on YouTube suspensions: Was Your YouTube Channel Suspended for No Reason? (A Guide to Community Guidelines-related Suspensions)
5.2 Non-advertiser friendly content. If YouTube decides the content is not advertiser friendly, the channel may be denied monetization for ‘reused content’. Here are YouTube’s advertiser friendly guidelines: support.google.com/youtube/answer/6162278
6. What about other channels that have the same content but are monetized?
There are three main things to consider here:
6.1 When the new monetization system started in late 2017, channels that (1) were already monetized and (2) met the minimum requirements for watch hours and subscribers simply kept their monetization privileges. For several months, YouTube only reviewed new applications. They only started to turn their attention to the already-monetized channels in late 2018. It will take a long time before all channels are reviewed. Therefore, just because you see a successfully monetized channel with the same content as your channel has, this does not mean the channels is OK. It may simply have not been reviewed yet.
6.2 It is unclear if YouTube is going to be consistent. There are some massive channels that would appear to be unmonetizable. These include channels like NoCopyrightSounds (a music promotion channel using music visualizers and third-party songs). Is YouTube going to be consistent and demonetize these channels.
6.3 Quality may be consideration. I have noticed a lot of top-ten style channels having their monetization applications fail. They are quite similar to the channel WatchMojo in that they have commentary going on throughout the video, but the commentary never gets very deep or insightful. The only difference I could see (apart from the channels being relatively new), was that the production quality of the videos on these channels (e.g., narration, selection and editing of source material, etc.) wasn’t that good. YouTube definitely hasn’t mentioned anything about video quality, but it seems that it might be one of the the things considered in a monetization review.
7. The elephant in the room
That would be gaming videos with very shallow commentary. In this case, all the visuals and most of the audio would be owned by the game developer (and, if commercially-released music is used, the copyright owners of the music compositions and recording). This is probably one of YouTube’s biggest genre in terms of uploads. It is unclear how such channels will be treated under the new policy. I suspect new gaming channels who don’t do much commentary will find it difficult to get monetization approved.
8. What you can do
According to an official YouTube post (Partner Program Reviews and Removals (including Duplication), you can do the following to improve your chances of getting monetization:
- Add commentary or show your presence in your videos (voice or on screen)
- Link back to your YouTube channel from your website
- Provide more context about your work in your video and channel descriptions
- Make sure the content on your channel aligns with [YouTube’s] policies. You can review: Community Guidelines, AdSense Policies, and YouTube Partner Program policies.
Here are my suggestions:
8.1 Beef up the descriptions
The problem that is easiest to fix is when the channel is in line with everything that YouTube is looking for but the video descriptions don’t contain information about the actual production. For example, who shot the video? When? What model of camera was used? Where is the music from? What rights do you have for the music? Who are the other people in the video? If there is any third party content, where is that from and what rights do you have to it? If this information is in the description, the YouTube reviewer than can get a much better idea of what you have created, and what you own, what you have exclusive rights to and what you have some rights to.
8.2 Mobilize your supporters
I know of three channels—Southern Cannibal (audio podcasts of user horror story submissions), alexrainbirdMusic (user music submissions) and VJ4rawr2 (movie parodies) that launched viewer campaigns to get their channels reinstated—and were successful, while smaller channels with similar kinds of videos remained demonetized. Importantly, in all three cases, the monetization was switched on without any kind of notice coming from YouTube. In the latter two cases (I don’t know about the first one), the channel owners did not have to wait for the 30-day monetization re-application period. Monetization was simply switched back on. This seems to indicate that some YouTube staff members have the power to help channels out at their own discretion.
8.3 Rethink the content and rebuild the channel
For many channels, the content simply isn’t going to be monetizable because of issues with the content of the video. If you have a channel like that, you need to change the format or accept that the channel is not going to be monetized. For specific kinds of channels, here is some advice:
8.3.1 Fair-use-style channels: You can minimize the use of clips and provide in-depth analysis throughout the videos. Good examples of fair-use-style channels are Vox, Nerdwriter and Wisecrack. it is important to accept that monetizing a video weakens any fair use claim, so there is no guarantee that your fair-use-style videos will be approved.
8.3.2 Music promotion channels: You can choose to (1) do it for fun and not get monetized, (2) actually become a record label and sign artists, (3) really work on the videos (e.g., invite the artists in for recording sessions like the channel Paste NYC or Wood & Wires or 4. Do music reviews in which only short snippets of songs are used.
8.3.3 Kids channels: It might be better to use adult actors, be sure to include a lot of variety and make the content educational. You can consider shows like Sesame Street, Barney, Blues Clues or the Wiggles as example of children’s programming. To be monetizable, a kids channel would have to be very professional and original.
Obviously, if there are videos that are causing problems, you will need to get rid of them if you want to get the channel monetized. However, you cannot just delete everything, upload a new video and get monetization approved. You will need to establish a strong track record with the new videos (in terms of number of videos uploaded, the watch hours for those videos the and subscribers gained from those videos). Also bear in mind that if you delete videos, the watch hours of those videos will still show up in analytics and you will still be able to apply for a review, but it is the watch hours of the non-deleted videos that will be examined during the monetization review. Similarly if almost all of your subscribers came from your deleted content, you will need to establish that your new content is also attracting subscribers.
8.4 Start another channel
In a lot of a cases I have seen, channels with a lot of views and subscribers would basically have to delete everything and start from scratch. There is no guarantee that if you delete everything and reload new content that your new content will be successful. You may simply end up sacrificing your popular videos for nothing. It might make more sense to leave that successful channel alone and start a new one. Who knows? Perhaps in future, YouTube will relax its monetization rules and the old channel will be monetizable again.
8.5 Simply forget about monetization
That is one option. If my channel gets demonetized I will consider this one.
Return to Writing
In this video, I continue the Featured Guest series with this song by Gary Ames. This pulsating dramatic intrumental—entitled Summit—is the 39th song in the Free Background Music Series. As with the other songs in this series, this song can be used for free in non-commercial projects and in YouTube monetized videos (that are otherwise non-commercial in nature) as long as credit is provided (“Summit; Composed and produced by Gary Ames”).
This solo piano instrumental—Somewhere Deep in the Sea—is the 38th song in the Free Background Music Series. As with the other songs in this series, this song can be used for free in non-commercial projects and in YouTube monetized videos (that are otherwise non-commercial in nature) as long as the following credit is provided:
Somewhere Deep in the Sea
Composed and performed by Jessica Yip
Produced by longzijun